Numerous people and affairs from the period later became Chinese legends. The most complete and influential example is the historical novelRomance of the Three Kingdoms, written by Luo Guanzhong during the Ming Dynasty. Possibly due to the popularity of Romance of the Three Kingdoms, the Three Kingdoms era is one of the most well known non-modern Chinese eras in terms of iconic characters, deeds and exploits. This is reflected in the way how fictional accounts of the Three Kingdoms, mostly based on the novel, play a significant role in East Asian popular culture. Books, television dramas, films, cartoons, anime, games, and music on the topic are still regularly produced in China, Hong Kong, Taiwan, South Korea, Vietnam and Japan.

The three kingdoms were Wei (魏), Shu (蜀), and Wu (吳). To further distinguish these states from other historical Chinese states of the same name, historians add a relevant character: Wei is also known as Cao Wei (曹魏), Shu is also known as Shu Han (蜀漢), and Wu is also known as Dong Wu or Eastern Wu (東吳). The term "Three Kingdoms" itself is something of a mistranslation, since each state was eventually headed not by kings, but by an emperor who claimed legitimate succession from the Han Dynasty. Although the translation "Three Empires" is more contextually accurate,^[1] the term "Three Kingdoms" has become standard among sinologists.

The earlier, "unofficial" part of the period, from 184 to 220, was marked by chaotic infighting between warlords in various parts of China. The middle part of the period, from 220 and 263, was marked by a more militarily stable arrangement between three rival states, Wei, Shu, and Wu.  The later part of this period was marked by the collapse of the tripartite situation: first the conquest of Shu by Wei (263), then the overthrow of Wei by the Jin Dynasty (265), and the destruction of Wu by Jin (280).